Stephen Sondheim’s death on Friday morning — an unexpected loss to the people in his life and to musical theater — attaches a new significance to the third Broadway revival of 1970’s Company. The musical, which marked the beginning of Sondheim’s decade-long collaboration with director Hal Prince, is now the last production that Broadway’s most revered composer-lyricist of the past 50 years directly worked on.Continue Reading
Uzo Aduba, of In Treatment and Orange Is the New Black, plays the hilariously tyrannical proprietor of her self-named truck-stop diner in Clyde’s. She lords it over her crew of short-order cooks trying to reclaim their lives — and create the perfect sandwich — in Lynn Nottage’s hopeful comedy at the Helen Hayes Theater. Continue Reading
In Morning Sun, a world premiere presented by Manhattan Theatre Club, British playwright Simon Stephens precisely captures 60 years of history, local custom, and mother-daughter dynamics via three generations of ordinary women just trying to get through in an ever-changing Manhattan.Continue Reading
March 2020 ushered in a three-ring crisis for the Equity-League Health Trust Fund, the healthcare plan for theater actors and stage managers.
As the industry shut down indefinitely in response to Covid-19, the fund’s biggest revenue source, employer contributions, largely dried up; its stocks plunged amid a pandemic-induced market crash; and actors and stage managers lost their livelihood. In response, the trustees overseeing the fund’s investments sold all of its publicly traded stock, which as of May 31, 2020 was valued at $25 million, or 23 percent of total net assets of $107 million.
As a result, the fund missed most of a stock market rebound that would’ve generated millions of dollars. The liquidation may slow the fund’s recovery from the shutdown — at a time when few Actors’ Equity Association members, its primary constituency, qualify for even basic coverage and Broadway grosses are off by a third from two years ago.Continue Reading
The following is the complete statement from the Equity-league Health Trust Fund, attributed to its trustees, in response to questions from Broadway Journal. A spokesman emailed it in August.Continue Reading
More than two years after opening on Broadway, Moulin Rouge! won 10 Tony Awards and became the first big-budget best musical winner since 2009. The pandemic-delayed ceremony celebrated the return of the industry and explored its uneven efforts to diversify and become more inclusive.Continue Reading
Five months after announcing that he would “step back from active participation” on his Broadway shows, producer Scott Rudin is still negotiating the terms of his exit from his biggest hit, The Book of Mormon, a person familiar with the situation told Broadway Journal.
Rudin is battling his former partners, the South Park creative team of Trey Parker and Matt Stone, who with their business associate Anne Garefino are the remaining lead producers of The Book of Mormon. (London-based producer Sonia Friedman is also heavily involved in the U.K edition of the musical, which Parker and Stone wrote with composer-lyricist Bobby Lopez.) Continue Reading
Antoinette Chinonye Nwandu’s one-act drama, Pass Over, Broadway’s first play in 18 months, is a bleak yet funny and poignant mash-up of Waiting for Godot and the Book of Exodus. Two poor young black men, mired in a hell-scape of deep-seated racism and gratuitous violence, dream of a better future. So many in their neighborhood have been killed that they can’t remember all of their names.Continue Reading