JEREMY GERARD EXITS DEADLINE; CRITIC AT WORK ON LANGELLA BIOGRAPHY

February 13, 2018 by Philip Boroff

Jeremy Gerard has left Deadline.com, the theater critic and reporter said in an email.

Gerard said his contract was not renewed and he was told that Deadline, officially called Deadline Hollywood, no longer plans to cover Broadway. Mike Fleming, the co-editor-in-chief, didn’t return an email. Gerard also covered newspaper and book publishing, with forays in television and film, especially around awards season, as well as public radio, urban planning, pop, jazz, classical music and opera. “I have had a great run at Deadline,” said Gerard, who joined the online show biz news outlet in 2014.

MINDICH’S HISTORY-MAKING WIN & OTHER TONY TAKEAWAYS

June 12, 2017 by Philip Boroff

ANALYSIS: The 71st annual Tony Awards opened with Kevin Spacey as Evan Hansen in a goofy polo shirt and cast around his left arm. The ceremony ended moments after an acceptance speech by Dear Evan Hansen‘s producer.

In between there was suspense aplenty at Radio City Music Hall. While Dear Evan Hansen, about a socially anxious teenager caught up in web of lies, was methodically collecting awards, including for score and book, Come From Away won for director, Christopher Ashley. That win raised the tantalizing possibility of an upset by the feel-good musical set in a remote Canadian province after 9/11. Ultimately, Evan Hansen prevailed in a historic night.

PRODUCERS SET TO REVOLT AGAINST TONY STAGE SNUB

June 10, 2017 by Philip Boroff

EXCLUSIVE: The 71st annual Tony Awards may be the site of a Broadway rebellion.

On Sunday, the Tonys — a joint venture of the American Theatre Wing and Broadway League — is seeking to end the practice of dozens of producers rushing the stage at Radio City Music Hall when their show wins. Just six producers will be permitted onstage to accept each major award — for play, musical and play and musical revival — according to an email from League President Charlotte St. Martin and Tony Award Productions that was obtained by Broadway Journal.

DID ‘REBECCA’ PRODUCER IGNORE WARNINGS ABOUT GRIFTER?

May 8, 2017 by Philip Boroff

EXCLUSIVE: The email was sent at 8:21 am Sunday, Sept. 23, 2012. Subject line: “Confidential.”

“Have you ever Googled Mark Hotton Long Island?” wrote Marc Thibodeau, press agent for Rebecca the Musical, to lead producer Ben Sprecher about the West Islip, Long Island, stock broker Sprecher hired to raise money. Thibodeau wrote that he discovered “several instances of lawsuits against him for fraud.”

The publicist added that the broker hadn’t produced evidence that an investor named Paul Abrams who purportedly died of malaria — one of four mysterious overseas angels Hotton recruited — ever existed.