People who need to see Lea Michele play Fanny Brice on Broadway are the luckiest people.
Lead producers Sonia Friedman, Scott Landis and David Babani announced today the Glee star is replacing Beanie Feldstein in Funny Girl beginning Sept. 6 at the August Wilson Theatre. Standby Julie Benko will play the lead Aug. 2 to Sept. 4 and for all Thursday evening performances starting on Sept. 8.Continue Reading
More than three decades after the chandelier first plunged at Phantom of the Opera and a helicopter flew out of Miss Saigon, a souped-up DeLorean will star in a planned Broadway transfer of the Olivier Award-winning musical Back to the Future.
Producer Colin Ingram is in talks to bring a big-budget adaptation of the 1985 Michael J. Fox blockbuster to a Shubert house next summer, people familiar with the London hit said. Last week, Ingram filed paperwork with the Securities and Exchange Commission to raise $23.5 million for the Broadway production. Co-producers of the show on the West End, which has been running for nine months and recently extended to February 2023, include the Frankel-Baruch-Viertel-Routh group, Hunter Arnold and Gavin Kalin — all familiar names around the Main Stem.Continue Reading
Two musicals in the past half-century have been awarded the Pulitzer Prize for drama before they were up for Tony Awards: Rent in 1996 and Hamilton in 2016. Both went on to win the Tony for best musical.
While statistically insignificant, that’s encouraging for A Strange Loop, Michael R. Jackson’s idiosyncratic meditation about a young black gay man writing a musical, which won a Pulitzer in 2020.Continue Reading
If MJ The Musical becomes a box office sensation, Paris Jackson, Bigi Jackson, Prince Jackson and the executors of their father’s estate stand to enjoy a bonanza.
Typically, half of a Broadway show’s adjusted net profit is shared among the lead producers. The other half goes to investors, who also qualify for some lead producer profits by raising or investing large sums. On MJ, however, “the entire 50% share of Adjusted Net Profits [due the lead producers] will be paid to the Estate,” according to an investor operating agreement obtained by Broadway Journal.Continue Reading
Stephen Sondheim’s death on Friday morning — an unexpected loss to the people in his life and to musical theater — attaches a new significance to the third Broadway revival of 1970’s Company. The musical, which marked the beginning of Sondheim’s decade-long collaboration with director Hal Prince, is now the last production that Broadway’s most revered composer-lyricist of the past 50 years directly worked on.Continue Reading
The following is the complete statement from the Equity-league Health Trust Fund, attributed to its trustees, in response to questions from Broadway Journal. A spokesman emailed it in August.Continue Reading
More than two years after opening on Broadway, Moulin Rouge! won 10 Tony Awards and became the first big-budget best musical winner since 2009. The pandemic-delayed ceremony celebrated the return of the industry and explored its uneven efforts to diversify and become more inclusive.Continue Reading
Because the night belongs to the vaccinated.
Following the lead of Springsteen on Broadway, which is halfway through its summer run at the Walter Kerr, the Broadway League said it’s requiring audiences to show proof of vaccination at the district’s 41 theaters.Continue Reading
Actors’ Equity Association and the Broadway League mandated that actors and other employees at Broadway theaters be fully vaccinated — with a few exceptions — while unvaccinated audience members will be admitted and asked to wear a mask.Continue Reading
In comes Company — again. Marianne Elliott’s revival of Stephen Sondheim and George Furth’s revered 1970 musical will resume previews on Dec. 20 at the Bernard B. Jacobs Theatre ahead of a Jan. 9, 2022 opening night, its producers announced today. Continue Reading
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