Early in his funny and poignant off-Broadway show, The New One, the comedian Mike Birbiglia expresses a low tolerance for children. “We gotta get babies off planes,” he says. “We got rid of smoking in the eighties, so we could get rid of babies now. Or bring back smoking and get those babies some cigarettes, because they’re too stressed out and they’re too powerful.”
REVIEW : The question at the heart of Head Over Heels is whether Elizabethan comedy and the music of the Go-Go’s go together. Sadly, the answer is no.
(See below for other opinions about the first musical of the season, which was capitalized for at least $11.6 million, according to investment papers.)
The jukebox musical that opened Thursday at the Hudson Theatre is (bizarrely) ostensibly based on Sir Philip Sidney’s 16th century Greek-mythological prose poem, The Arcadia. Thus the not-quite-iambic pentameter of the shepherd Musidorus (Andrew Durand), when he finds the skeletons of actors in the woods accompanied by a note: “These sad remains are of our theatre troupe, / Starved for lack of Serious Message.” This could charitably be called meta-commentary.