Broadway Journal

POLITICAL IS PERSONAL IN HELLMAN’S COMPELLING DRAMA: REVIEW

August 26, 2018 by James Feinberg

Roderick Hill & Ted Deasy/Todd Cerveris

Lillian Hellman’s second play, Days To Come, was a flop when it premiered on Broadway in 1936.  Sources differ on why — but it certainly wasn’t the writing.

The well-acted production that opened Sunday, smoothly directed by J.R. Sullivan for the Mint Theater Company, at the Beckett Theatre at Theater Row, proves a fascinating family drama set in a time of economic hardship and labor unrest.  This Days To Come, the first in New York in 40 years, makes a compelling case for the play’s continued relevance.Continue Reading

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