Broadway Journal

‘WAITRESS’ SCORES $10 MILLION TIP FROM FEDS

July 7, 2021 by Philip Boroff

Broadway is usually a risky business — but the remount of Waitress  looks like an excellent bet.

Pop star Sara Bareilles, who wrote the musical’s acclaimed score, will return to the lead role for the first six weeks of the four-month engagement, scheduled to begin Sept. 2 at the Barrymore Theatre. And the U.S. Small Business Administration has awarded the production $10 million as part of its disaster relief program for the live entertainment industry.Continue Reading

CELEBRATING RISK & THE INDEPENDENT PRODUCER: A TRIUMPHANT ‘BAND’S VISIT’

June 11, 2018 by Philip Boroff

There’s cause for celebration in Bet Hatikva and Petah Tikva.

Groban & Bareilles at the Tonys

The Band’s Visit, a drama about acceptance, missed connections and the romance and ennui of everyday life, won 10 Tony Awards, including best musical. The triumph raises the profile of the quiet show about an Egyptian police band marooned in a sleepy Israeli town, who’d intended to go to a cosmopolitan city with a similar-sounding name.

Some takeaways from the CBS telecast:Continue Reading

PRIME ‘MORMON’ SEATS SELL FOR $150 AMID WINTER LULL

February 5, 2018 by Philip Boroff

U.S. stocks aren’t the only market under pressure.

Yesterday’s Super Bowl and the mid-Winter funk contributed to Broadway lowest grosses in four months. Sales last week dipped 10 percent to $24.9 million, according to the Broadway League.

The upside to lower grosses: more affordable theater.

The average ticket to the Tony Award-winning musical comedy The Book of Mormon was $133, the lowest in almost seven years. (Prices may have been skewed because there were seven performances, instead of the customary eight.) Seventh-row center are available for tomorrow for $149.50. (Tickets still go for as much as $477.50 on weekends.)Continue Reading

BAREILLES, MIDLER, RUFFALO SELL OUT; STAR-LESS PLAYS FLAT

April 18, 2017 by Philip Boroff

Sara Bareilles/photo: Jeremy Daniel

Easter week was flush for Broadway’s flashiest star vehicles and dismal for serious new plays, Pulitzer Prize notwithstanding.

Two Scott Rudin productions in previews tell the story: Hello, Dolly! with Bette Midler passed $2 million for the first time, its average ticket rose $8 to $201, according to sales figures released by the Broadway League. Meanwhile Lucas Hnath’s A Doll’s House Part 2 was little changed at $91,000, with an average ticket of $24.

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