Broadway Journal

GILLIAN ANDERSON ELEVATES FEROCIOUS ‘ALL ABOUT EVE’: REVIEW

March 8, 2019 by James Feinberg

Lily James & Gillian Anderson

LONDON — Following Network,  Ivo van Hove’s disappointing star vehicle now packing them in on Broadway, the writer/director is back in peak form with his adaptation of All About Eve  in the West End.

A theater story set in the realm of backstage gossipmongers, Joseph L. Mankiewicz’s 1950 film is an ideal fit for van Hove’s cold Kubrickian style.Continue Reading

‘REBECCA’ PRODUCER SEEKS NEW TRIAL AGAINST PRESS AGENT

February 28, 2019 by Philip Boroff

Ben Sprecher/Steven Hirsch

EXCLUSIVE: Ben Sprecher‘s six-year campaign to hold his former press agent accountable for the collapse of his musical and reputation has been cleared for another courtroom showdown.

Earlier this month, an appellate court declined to intervene in the producer’s lawsuit against publicist Marc Thibodeau, opening the door for a second trial relating to the aborted musical Rebecca.  At issue are emails that the press agent sent to a prospective backer in September 2012, linking Sprecher to a fraud.

Sprecher is “radioactive in the theater community and unable to find work,” the producer’s lead lawyer, Erik Groothuis of Schlam Stone & Dolan, wrote in an October 2018 brief in New York Supreme Court. Thibodeau “torpedoed both the musical, and my career with it,” Sprecher said in a 2017 sworn statement.Continue Reading

ACTORS’ EQUITY ENDS STRIKE AGAINST BROADWAY LEAGUE

February 8, 2019 by Philip Boroff

After 33 days, Actors’ Equity has ended its limited strike against the Broadway League over how its members are compensated for developing new work.

Actors had sought profit share and a raise from the current $1,000 weekly salary when participating in a developmental lab, which are multi-week workshops to create new plays and musicals.Continue Reading

DAVENPORT THEATRE ENDS FIVE-YEAR RUN

February 8, 2019 by Philip Boroff

EXCLUSIVE: Ken Davenport’s eponymous theater is no more.

“As of the end of January 2019, the Davenport Theatre has closed,” according to an announcement on Davenport Theatrical Enterprise‘s voicemail.

Ken Davenport, the producer-general manager-book writer-marketer-podcaster-blogger-consultant, has told people in the industry that he lost his lease. He declined to comment for this story.

Continue Reading

GENDER-BENDING ‘COMPANY’ IMPROVES ON PERFECTION: REVIEW

February 7, 2019 by James Feinberg

Editor’s note: There are talks to bring London’s ‘Company’ to Broadway, and last we heard nothing was set. For now, tickets appear to be plentiful for the run at the Gielgud Theatre through March 30.

LONDON — The show that changed everything may never be the same.Continue Reading

‘NERDS’ CRASH HIGHLIGHTS WEAK INVESTOR PROTECTION

February 6, 2019 by Philip Boroff

EXCLUSIVE: Ticketmaster and Telecharge say they refund theatergoers for cancelled performances.

It’s a different story for investors in shows that get cancelled before opening night. Exhibit A: Nerds,  the musical.

In early 2016, Nerds Broadway LLC collected $606,000 from 13 angels who wanted in on the comedy about Bill Gates and Steve Jobs.

Four days after receiving the last of the checks and less than two months before the scheduled Broadway opening, lead producer Carl Levin announced Nerds’ indefinite postponement. He cited the loss of a major backer.

Until recent years, a production company that abandoned a show was obligated to make investors whole, except the investors who waived their right to a refund.Continue Reading

‘SUCCESSION’ STAR CREATES IMMIGRANT COURTROOM DRAMA: INTERVIEW

February 1, 2019 by Philip Boroff

Arian Moayed/ Miguel Amortegui

Fans of HBO’s Succession  might be surprised that Stewy, the conniving cocaine-snorting private equity operator, is played by an emigré from Iran who co-founded a civic-minded theater company that teaches drama to public school students at New York’s Professional Performing Arts School. Its graduates have gone on to Juilliard and Yale.

The Courtroom  is the latest project by Arian Moayed and his company, Waterwell. Created from courtroom transcripts that Moayed edited,  the play concerns a recent Filipino immigrant named Elizabeth Keathley (Kristin Villanueva) who, while getting a driver’s license, illegally registers to vote at the behest of a careless government bureaucrat. Issued a voter registration card, she votes in a congressional election and faces deportation.Continue Reading

‘DO NOT WORK’: ACTORS’ EQUITY AUTHORIZES MINI STRIKE

January 7, 2019 by Philip Boroff

Actors’ Equity Association, which has been negotiating a new contract for play and musical development, authorized a strike today to halt collaboration in rehearsal rooms known as developmental labs.

Continue Reading

RECORD WEEK CAPS RECORD YEAR — WITH HIGHEST PRICES FOR LONG-RUNNING HITS (TABLE)

January 2, 2019 by Philip Boroff

Hamilton composer Lin-Manuel Miranda & director Thomas Kail/Tammy Shell

Broadway celebrated 2019 with a slew of milestones: highest-grossing week and year in history and best-attended week and year since at least 1984, according to the Broadway League.

Long-running shows such as Wicked  ($3.4 million), The Lion King  ($3.7 million) and Hamilton  ($4 million) recorded their best sales last week and charged their highest average prices, with tourists continuing to flock to Broadway’s biggest brands.

Hamilton,  whose composer-lyricist, Lin-Manuel Miranda, returns to the show next week for a short engagement in San Juan, Puerto Rico, became the first Broadway show to clear $4 million over eight performances.Continue Reading

FROM ‘REBECCA’ TO RUMPELMAYER’S: PRODUCER SEEKS INVESTORS FOR REVIVAL OF DINING ICON

December 19, 2018 by Philip Boroff

Sundae from Rumpelmayer’s video

EXCLUSIVE: Ben Sprecher raised and spent millions on a Broadway musical version of Rebecca  that never opened. For his next act, he wants to recreate an Old World family restaurant, updated for the Instagram age.

Will investors pick up the tab?

Continue Reading

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