Broadway Journal

OSKAR EUSTIS IS NONPROFIT THEATER’S PANDEMIC PAY CHAMP (EXCLUSIVE)

August 10, 2022 by Philip Boroff

In 2020, a year in which theaters were dark for nine and a half months, Public Theater Artistic Director Oskar Eustis earned $1.15 million in pay and benefits, more than any other nonprofit theater leader in New York.

Eustis’ 10 percent jump in overall compensation — disclosed in the Public’s 2020-21 tax return filed with the New York Attorney General — runs counter to the company’s messaging about pandemic pay. In an April 2020 New York Times story about the cancellation of Shakespeare in the Park and planned staff furloughs, Michael Paulson reported that much of the remaining staff “will take up to a 25 percent pay cut. Eustis will take a 40 percent pay cut.”

The tax return, which details compensation for calendar year 2020, tells a different story. Eustis, one of the highest-profile figures in nonprofit theater since assuming leadership of the storied organization in 2005, was paid $901,000, up from $807,000 in 2019. Benefits and deferred pay were valued at an additional $255,000.Continue Reading

RUDIN ON THE SPOT: SPOTCO LAWSUIT TURNS TO DEPOSITIONS

July 14, 2022 by Philip Boroff

EXCLUSIVE: With the Broadway production of To Kill a Mockingbird  adjourned indefinitely, a real-life court battle between its producer in exile and original advertising agency is heating up.

Scott Rudin, who’s kept a low profile following reports about his volcanic temper and bullying of employees, must answer questions under oath by Aug. 31 about his financial relationship with the theater ad agency SpotCo, according to filings in New York Supreme Court. The video deposition would be made public only if it’s introduced as evidence in SpotCo’s lawsuit against Rudin and entities he controlled.Continue Reading

LEA MICHELE WILL REPLACE ‘FUNNY GIRL’ STAR BEANIE FELDSTEIN AS FANNY BRICE

July 11, 2022 by Philip Boroff

People who need to see Lea Michele play Fanny Brice on Broadway are the luckiest people.

Lead producers Sonia Friedman, Scott Landis and David Babani announced today the Glee star is replacing Beanie Feldstein in Funny Girl  beginning Sept. 6 at the August Wilson Theatre. Standby Julie Benko will play the lead Aug. 2 to Sept. 4 and for all Thursday evening performances starting on Sept. 8.Continue Reading

TONY AWARDS BOOST ‘STRANGE LOOP,’ ‘MJ’ SALES

June 22, 2022 by Philip Boroff

Nearly 20 years in the making, A Strange Loop is having a moment.

In the seven days ending on Sunday, Michael R. Jackson’s newly minted Tony Award-winning best musical had its highest-grossing week since it opened in late April, at $845,000. That was up 23 percent from two weeks earlier, according to Broadway League data. (The week before the Tonys is a difficult comparison because Strange Loop, which also won for book of a musical, had seven performances instead of the customary eight.)Continue Reading

WILL ANGELS IN AMERICA MAKE ‘BACK TO THE FUTURE’ A BLAST ON BROADWAY? (EXCLUSIVE)

June 17, 2022 by Philip Boroff

More than three decades after the chandelier first plunged at Phantom of the Opera and a helicopter flew out of Miss Saigon, a souped-up DeLorean will star in a planned Broadway transfer of the Olivier Award-winning musical Back to the Future.

Producer Colin Ingram is in talks to bring a big-budget adaptation of the 1985 Michael J. Fox blockbuster to a Shubert house next summer, people familiar with the London hit said. Last week, Ingram filed paperwork with the Securities and Exchange Commission to raise $23.5 million for the Broadway production.  Co-producers of the show on the West End, which has been running for nine months and recently extended to February 2023, include the Frankel-Baruch-Viertel-Routh group, Hunter Arnold and Gavin Kalin — all familiar names around the Main Stem.Continue Reading

BROADWAY CINDERELLA STORY: ‘A STRANGE LOOP’ FOLLOWS ITS PULITZER WITH BEST MUSICAL

June 13, 2022 by Philip Boroff

Maybe Usher can finally quit his day job.

A Strange Loop — Michael R. Jackson’s deconstructionist portrait of a musical theater artist as a young, Black, insecure gay man — was named best musical at the 75th Tony Awards tonight. A former Lion King usher, Jackson spent nearly two decades working on his sacred-cow-slaughtering show about a “Disney ushering, broke-ass middle-class politically homeless normie leftist Black American” aspiring composer-lyricist.Continue Reading

‘MOULIN ROUGE!’ & ‘STRANGE LOOP’ TEST TONY TRADITION OF GOOSING GROSSES

June 11, 2022 by Philip Boroff

Eight months after winning the Tony Award for best musical, Hamilton’s weekly grosses were up 45 percent. Dear Evan Hansen‘s were higher by a comparable margin after its win.

Grosses for Moulin Rouge! at the Al Hirschfeld Theatre were down 25 percent last week compared with early fall, when the adaptation of Baz Luhrmann’s 2001 movie reopened as Broadway’s newly minted best musical. At $1.2 million, its box office is off by nearly half since the end of 2019, when Moulin Rouge! was the top grossing new production of 2019-20, with an average ticket price second only to Hamilton.Continue Reading

AMBASSADOR THEATRE GROUP & ITS PRODUCTIONS SECURED $79 MILLION IN U.S. AID (EXCLUSIVE)

June 3, 2022 by Philip Boroff

As lead producer and landlord of Neil Simon’s Plaza Suite, Ambassador Theatre Group has bragging rights to the most commercially successful play of the 2021-22 Broadway season.

The average ticket price for the Sarah Jessica Parker and Matthew Broderick revival was $213 the week ended May 29, behind only The Music Man and Hamilton. Pairs go for as much as $2,051, which includes Piper-Heidsieck Champagne and Ladurée macarons served in a semi-private lounge at ATG’s Hudson Theatre.

The U.K.-based conglomerate isn’t crowing. “ATG does not control, and cannot provide comment about” Plaza Suite, an ATG spokesman told Broadway Journal in an email. Continue Reading

FOUNDERING ‘PARADISE SQUARE’ GHOSTED GROUP SALES CHIEF, LAWSUIT SAYS

May 15, 2022 by Philip Boroff

EXCLUSIVE: Paradise Square has had a bumpy road to Eden.

Nominated for 10 Tony Awards, the second-highest total of the season, it was Broadway’s worst-selling musical in the week ending on May 8, posting just $194,000 in ticket sales. Since its first preview on March 15 at the Ethel Barrymore Theatre, it hasn’t come close to its weekly breakeven — $599,000, per an estimate in its 2019 operating agreement. (Comparably sized musicals usually cost more to run.)

A new lawsuit against Paradise Square Broadway LP filed in New York Supreme Court, not far from where the Civil War-era musical is set, provides a window into the Garth Drabinsky production. It’s the Canadian producer’s first show on Broadway since he was convicted in 2009 in Ottawa, Ontario, of defrauding Livent Inc. shareholders of nearly half a billion dollars. Publicly-traded Livent, which Drabinsky co-founded, filed for bankruptcy protection in 1998.Continue Reading

TONY NOMINATIONS: WILL ‘SIX’ OR ‘MJ’ RAIN ON ‘STRANGE LOOP’S PARADE?

May 9, 2022 by Philip Boroff

Two musicals in the past half-century have been awarded the Pulitzer Prize for drama before they were up for Tony Awards:  Rent in 1996 and Hamilton in 2016. Both went on to win the Tony for best musical.

While statistically insignificant, that’s encouraging for A Strange Loop, Michael R. Jackson’s idiosyncratic meditation about a young black gay man writing a musical, which won a Pulitzer in 2020.Continue Reading

« Previous Page
Next Page »
ABOUT/CONTACT US

Journal Categories

  • Broadway
  • Grosses
  • Hamilton
  • In Development
  • Interviews
  • Lawsuit
  • Nonprofits
  • Pay
  • Producers
  • Real Estate
  • Review

Search

Subscribe to our newsletter

Copyright © 2019 Broadway Journal.

Copyright © 2025 · Beautiful Pro Theme on Genesis Framework · WordPress · Log in

  • Hamilton
  • In Development
  • Nonprofits
  • Producers
  • Real Estate