Broadway Journal

RUDIN ANGLES TO RETAIN ‘MORMON’ PROFITS AS LAWSUITS FLOURISH (EXCLUSIVE)

September 22, 2021 by Philip Boroff

Five months after announcing that he would “step back from active participation” on his Broadway shows, producer Scott Rudin is still negotiating the terms of his exit from his biggest hit, The Book of Mormon, a person familiar with the situation told Broadway Journal.

Rudin is battling his former partners, the South Park creative team of Trey Parker and Matt Stone, who with their business associate Anne Garefino are the remaining lead producers of The Book of Mormon. (London-based producer Sonia Friedman is also heavily involved in the U.K edition of the musical, which Parker and Stone wrote with composer-lyricist Bobby Lopez.) Continue Reading

‘WEST SIDE STORY,’ ‘HANGMEN’ GET SBA FUNDS TO RESUME PERFORMANCES; ‘HAMILTON’ SECURES $50 MILLION

July 12, 2021 by Philip Boroff

Ivo van Hove’s video-heavy revival of West Side Story,  which was originally produced by Scott Rudin and opened a month before Broadway was shuttered, has scored a $10 million Small Business Administration grant to reopen.

A person familiar with the production said it will imminently announce when it will resume, along with who will oversee it. Following multiple reports alleging that Rudin abused his staff, the producer has said that he’s stepping back from the entertainment business. There’d been industry speculation that the musical, which was capitalized at $16 million and received mixed reviews, would not return.  Continue Reading

‘BOOK OF MORMON’S BLACK ACTORS PUSH TO CHANGE PORTRAYAL OF AFRICANS (EXCLUSIVE)

February 27, 2021 by Philip Boroff

If and when The Book of Mormon  resumes performances on Broadway, the take-no-prisoners musical will reconsider its mission.

In a video call last summer organized by lead producer Anne Garefino, co-writers Trey Parker and Matt Stone assured Black cast members that they were eager to take a fresh look at the 10-year-old blockbuster and were open to making changes, a person familiar with the conversation said. The call came in response to a letter from the actors — both original and current cast members — outlining their concerns regarding the musical, which is about inept Mormon missionaries in a Ugandan village ravaged by AIDS and civil war.  Among other issues, the letter addresses the challenges of differentiating between racial stereotyping and satirical storytelling, especially in moments of the show when African characters are treated as “props and punchlines.”Continue Reading

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