Frozen

WILL ANGELS IN AMERICA MAKE ‘BACK TO THE FUTURE’ A BLAST ON BROADWAY? (EXCLUSIVE)

June 17, 2022 by Philip Boroff

More than three decades after the chandelier first plunged at Phantom of the Opera and a helicopter flew out of Miss Saigon, a souped-up DeLorean will star in a planned Broadway transfer of the Olivier Award-winning musical Back to the Future.

Producer Colin Ingram is in talks to bring a big-budget adaptation of the 1985 Michael J. Fox blockbuster to a Shubert house next summer, people familiar with the London hit said. Last week, Ingram filed paperwork with the Securities and Exchange Commission to raise $23.5 million for the Broadway production. Co-producers of the show on the West End, which has been running for nine months and recently extended to February 2023, include the Frankel-Baruch-Viertel-Routh group, Hunter Arnold and Gavin Kalin — all familiar names around the Main Stem.Continue Reading

‘HARRY POTTER’ & THE CURSED BOX OFFICE YARDSTICK

December 1, 2019 by Philip Boroff

The last week of July 2019 was business as usual for Harry Potter and the Cursed Child on Broadway. Sales rose less than 2 percent to $1.4 million, according to data from the Broadway League, the trade association of producers and theater owners.

But there was a huge increase in a closely watched measure in those seven days. Harry Potter ‘s sales jumped from 84 percent of its “gross potential” to 101 percent, according to the same posting. What changed was the basis for comparison. After four months of claiming a weekly gross potential of $1.7 million, the production slashed the figure to $1.4 million.

Like average ticket prices, sales relative to gross potential is an important signifier of a show’s box office strength. But gross potential, which the League posts weekly with other box office figures, loses value as a benchmark of success when it fluctuates along with ticket prices.Continue Reading

‘FROZEN,’ ‘MEAN GIRLS’ POST WORST WEEK SINCE OPENING

September 10, 2018 by Philip Boroff

Sales of Frozen and Mean Girls took a hit last week as schools reopened and Broadway contended with oppressive heat and competition from the latter rounds of the U.S. Open tennis championships in Queens.

Disney’s Frozen fell 16 percent to $1.6 million, the lowest since the adaptation of the 2013 animated movie opened in March. Mean Girls, produced by Lorne Michaels and the late Stuart Thompson and based on the Tina Fey movie, dropped 21 percent to $1.2 million, its weakest seven days since opening in April.Continue Reading

DISNEY CUTS ‘FROZEN’ PRICES

April 30, 2018 by Philip Boroff

EXCLUSIVE: Maybe Frozen isn’t critic-proof after all.

Following mixed reviews and turmoil in the secondary market, Disney has cut some ticket prices for the musical — one of the most highly anticipated of the season.

The best orchestra seats for Tuesday and Thursday of this week were originally $227.50, according to a February group sales memo from Disney. As of Monday afternoon, Ticketmaster was offering three tickets 11th-row center at the St. James for Tuesday for $100 less — $127.50 each — plus fees. Other center orchestra for both nights near the stage are $169.50. Balcony seats that were $99.50 are now $79.50.

KID-FRIENDLY SHOWS REACH A THIRD OF BROADWAY SALES

March 19, 2018 by Philip Boroff

Jamie Parker as Harry Potter/ Photo by Manuel Harlan

EXCLUSIVE: This season, every night is kids’ night on Broadway.

While theatergoers still pay up for Lin-Manuel Miranda’s historical hip-hop, Broadway’s fastest-growing onstage demographic are princesses, princes, witches and wizards. With the Harry Potter plays and Mean Girls early in previews and Frozen opening on Thursday, family-friendly sales are likely to stay elevated.

Broadway Journal hasn’t crunched the numbers for every season, so we can’t say that family show sales are at record levels — but industry veterans we spoke to said it seems that way.

FROZEN COMPOSER’S A CAPPELLA MUSICAL ‘IN TRANSIT’ SEEKS EXPRESS TRAIN TO BROADWAY

March 21, 2016 by Philip Boroff

A musical without musicians is an untested concept on Broadway. Janet B. Rosen, the freshman lead producer of In Transit, a long-gestating a cappella romantic comedy circling Broadway, says she’s undaunted.

In Transit employs the subway as a setting and plot line and is arranged by Deke Sharon, the arranger and music director of the a cappella movies Pitch Perfect and Pitch Perfect 2 (worldwide gross $400 million). A national a cappella tour he oversees, Vocalosity, appears to be selling well. And Kristen Anderson-Lopez — who wrote In Transit with Sara Wordsworth, James Allen-Ford and Russ Kaplan — co-wrote Disney’s Frozen ($1.3 billion). “We are ready to take it to Broadway,” Rosen, who holds the rights to In Transit, told Broadway Journal last night at a concert presentation at Feinstein’s/54 Below. She said it would be Broadway’s first a cappella musical. “A cappella is huge right now.”