Broadway Journal

ECONOMICAL ‘IN TRANSIT’ SEEKS BOOST FROM CLINTON ENDORSEMENT

February 2, 2017 by Philip Boroff

In Transit Circle in the Square Produced by Janet B. Rosen and Six Train Productions Book by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan and Sara Wordsworth; Music by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan and Sara Wordsworth; Lyrics by Kristen Anderson-Lopez, James-Allen Ford, Russ Kaplan and Sara Wordsworth; Vocal arrangements by Deke Sharon Directed by Kathleen Marshall; Choreographed by Kathleen Marshall; Associate Director: David Eggers; Associate Choreographer: David Eggers Scenic Design by Donyale Werle; Costume Design by Clint Ramos; Lighting Design by Donald Holder; Sound Design by Ken Travis; Hair and Wig Design by Cookie Jordan; Production Design by Caite Hevner Executive Producer: Scott Landis; General Manager: Alchemy Production Group Production Manager: Juniper Street Productions; Production Stage Manager: Kim Vernace; Stage Manager: Megan Schneid Musical Supervisor: Rick Hip-Flores Casting: Binder Casting; Press Representative: Polk & Co.; Advertising: AKA Cast David Abeles Dave Moya Angela Momma Mrs. Williams Althea Steven "HeaveN" Cantor Broadway debut Boxman Justin Guarini Trent Telly Leung Steven Erin Mackey Ali Gerianne Pérez Broadway debut Kathy Margo Seibert Jane Chesney Snow Broadway debut Boxman Alternate James Snyder Nate Mariand Torres Broadway debut Nina Nicholas Ward Chris Standby: Adam Bashian (Chris, Dave), Laurel Harris (Ali, Jane, Kathy), Arbender Robinson (Steven, Trent) and Aurelia Williams (Althea, Momma, Mrs. Williams) In Transit, the low-grossing new musical that Bill and Hillary Clinton saw Wednesday night, is losing less money than you might think.

As Broadway’s first a cappella musical, it doesn’t employ musicians, besides 11 hardworking onstage actor-vocalists, including one who does percussion. (Steven “HeaveN” Cantor and Chesney Snow alternate in the role of “Boxman.”)

According to a budget filed over the summer with the office of New York Attorney General Eric Schneiderman, to pay expenses the production needs minimum weekly sales of $439,000. (The figure includes credit card commissions and other extras that count toward Broadway League official grosses.) Lead producer Janet Rosen said in an interview that because the show was budgeted conservatively, actual breakeven is below $400,000. Sales last week were $338,000.

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BROADWAY RECOILS AT TRUMP UPSET

November 9, 2016 by Philip Boroff

Broadway performers and writers, who lampooned Donald Trump and his wife during the presidential campaign and raised millions for Hillary Clinton, expressed despair and defiance as  the developer and reality TV performer pulled off what Politico called the biggest upset in United States history. Continue Reading

CLINTON BACKER BENANTI ON TRUMP & TWITTER TROLLS

September 20, 2016 by Philip Boroff

Laura Benanti gained 8 million YouTube views and the wrath of Donald Trump’s angriest devotees when she satirized his wife on the Late Show with Stephen Colbert during the Republican National Convention. On Friday, the actress spoke to Broadway Journal about the experience. Tonight, she headlines a Hillary Clinton fundraiser at Industry bar in Hell’s Kitchen.

Q: Did you learn anything about Trump or politics from appearing on television as Melania?

Benanti: Yes sir. Almost every time I tweet I will get a barrage of terrifying tweets, that range from ‘you’re ugly and fat’ to really scary — like, ‘I want to kill you.’ IContinue Reading

BROADWAY SHRUGS AT TRUMP PRODUCING CREDIT, COALESCES BEHIND CLINTON

September 19, 2016 by Philip Boroff

Donald Trump may be the only major-party presidential candidate in history with a Broadway producing credit, but that hasn’t won him much support in theater circles.

“All he was was a big investor,” said Richard Seff, who wrote the 1970 comedy Paris is Out!, about a longtime married couple planning a European vacation that played 112 performances at the Brooks Atkinson Theatre. “He didn’t have any input,” Seff said about Trump’s role. Now an 89-year-old reviewer and columnist for the website DC Metro Theater Arts, Seff recalled the second-generation real estate developer as a pleasant, stage-struck 23-year-old.

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