EXCLUSIVE: The company producing The Lehman Trilogy on Broadway has been removed from a lawsuit by the advertising agency SpotCo, simplifying the show’s return to New York after the Covid-related industry shutdown.Continue Reading
SCOTT RUDIN TAGS DUSTIN HOFFMAN FOR POST-COVID ‘OUR TOWN’ REVIVAL (EXCLUSIVE)
When the pandemic gives way to live performance, producer Scott Rudin plans to present an American classic about the gift of being alive.
Rudin is assembling cast and creatives for the first Broadway revival of Thornton Wilder’s Our Town in nearly two decades, according to a person familiar with the negotiations. It’s to star Dustin Hoffman, whose last Broadway credit was The Merchant of Venice, in 1989, the same year he won the second of his two Academy Awards, for Rain Man. In 1984, he starred on Broadway as Willy Loman in a revival of Arthur Miller’s Death of a Salesman.Continue Reading
BROADWAY OFFICIALLY CANCELS ALL 2020 PERFORMANCES
The Broadway League said theaters are offering refunds through Jan. 3, 2021, as the industry officially canceled performances for the rest of the year due to the coronavirus pandemic. Continue Reading
HUGH JACKMAN & SUTTON FOSTER ‘MUSIC MAN’ TIX TOP OUT AT $499 (FOR NOW)
EXCLUSIVE: Scott Rudin knows the territory — the Broadway territory, that is. Visiting River City with Hugh Jackman in Rudin’s upcoming revival of The Music Man won’t come cheap.Continue Reading
HUGH JACKMAN TO STAR IN RUDIN-PRODUCED ‘MUSIC MAN’
Cementing his position as Broadway’s most prolific and arguably most powerful producer, Scott Rudin said today that he’s reviving The Music Man, starring Hugh Jackman, in October 2020.Continue Reading
FROM ‘WICKED’ TO ‘DEAR EVAN HANSEN’: THE LESSONS OF PRODUCER-INVESTOR CARL MOELLENBERG
INTERVIEW: Is the moderately successful commercial Broadway production in danger of extinction?
“There are still many shows doing exceptionally well, but it seems there are more shows falling off the vine really quickly,” said Carl Moellenberg, who’s had 40 Broadway producing credits since 2006. “If people are only seeing two or three shows a year, they want to see the shows everyone is talking about.”
