Broadway Journal

TONY AWARDS BOOST ‘STRANGE LOOP,’ ‘MJ’ SALES

by

Nearly 20 years in the making, A Strange Loop is having a moment.

In the seven days ending on Sunday, Michael R. Jackson’s newly minted Tony Award-winning best musical had its highest-grossing week since it opened in late April, at $845,000. That was up 23 percent from two weeks earlier, according to Broadway League data. (The week before the Tonys is a difficult comparison because Strange Loop, which also won for book of a musical, had seven performances instead of the customary eight.)Continue Reading

BROADWAY CINDERELLA STORY: ‘A STRANGE LOOP’ FOLLOWS ITS PULITZER WITH BEST MUSICAL

by

Maybe Usher can finally quit his day job.

A Strange Loop — Michael R. Jackson’s deconstructionist portrait of a musical theater artist as a young, Black, insecure gay man — was named best musical at the 75th Tony Awards tonight. A former Lion King usher, Jackson spent nearly two decades working on his sacred-cow-slaughtering show about a “Disney ushering, broke-ass middle-class politically homeless normie leftist Black American” aspiring composer-lyricist.Continue Reading

TONY NOMINATIONS: WILL ‘SIX’ OR ‘MJ’ RAIN ON ‘STRANGE LOOP’S PARADE?

by

Two musicals in the past half-century have been awarded the Pulitzer Prize for drama before they were up for Tony Awards:  Rent in 1996 and Hamilton in 2016. Both went on to win the Tony for best musical.

While statistically insignificant, that’s encouraging for A Strange Loop, Michael R. Jackson’s idiosyncratic meditation about a young black gay man writing a musical, which won a Pulitzer in 2020.Continue Reading

JACKSON ESTATE WILL BE THERE FOR OUTSIZED ‘MJ’ PROFITS (EXCLUSIVE)

by

If MJ  The Musical becomes a box office sensation, Paris Jackson, Bigi Jackson, Prince Jackson and the executors of their father’s estate stand to enjoy a bonanza.

Typically, half of a Broadway show’s adjusted net profit is shared among the lead producers. The other half goes to investors, who also qualify for some lead producer profits by raising or investing large sums. On MJ,  however, “the entire 50% share of Adjusted Net Profits [due the lead producers] will be paid to the Estate,” according to an investor operating agreement obtained by Broadway Journal.Continue Reading

Copyright © 2019 Broadway Journal.