Broadway Journal

SOLO SHOWS DELIVER AS ASPIRING BLOCKBUSTERS STRUGGLE

August 25, 2023 by Philip Boroff

Capitalized for $22 million, the David Byrne-Fatboy Slim musical Here Lies Love dramatizes the rise and fall of the Marcos regime, in a Broadway theater repurposed as a discotheque.

Last week, it was outgrossed by $35,000 by a little-known comic on an open stage with three stools. Just for Us, Alex Edelman’s monologue about antisemitism and identity that ended its run on Saturday, was capitalized for $2.25 million.

In an era of mammoth Broadway budgets and huge losses, one-person shows have been a relative safe haven for investors. Prima Facie, James Bierman’s $4 million production of Suzie Miller’s one-woman play starring Jodie Comer, is the only show from 2022-23 to announce that it recouped.Continue Reading

IN ‘THE NEW ONE,’ BIRBIGLIA TAKES HILARIOUS DEEP DIVE INTO POSTPARTUM AGGRESSION: REVIEW

November 12, 2018 by Philip Boroff

The New One/Joan Marcus

Mike Birbiglia likes lists. Early in his irresistible one-man comedy The New One, he cites seven reasons why he never wanted a child.

“Number 1: I’ve never felt like there should be more of me in the world.” That leads to a roundup of his horrific medical history, which includes a life-threatening sleep disorder, which he depicted in an earlier show, book and indie movie called Sleepwalk with Me.Continue Reading

RELUCTANT DAD BIRBIGLIA EXCELS IN COMIC MONOLOGUE: REVIEW

August 3, 2018 by James Feinberg

The New One/Joan Marcus

Early in his funny and poignant off-Broadway show, The New One, the comedian Mike Birbiglia expresses a low tolerance for children.  “We gotta get babies off planes,” he says.  “We got rid of smoking in the eighties, so we could get rid of babies now.  Or bring back smoking and get those babies some cigarettes, because they’re too stressed out and they’re too powerful.”

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